The Whetstonian: Ordinance before City Council protects 'masterpiece of outsider art'
A pair of buildings that a late
The buildings were purchased in 1998 by
Whetstone collected antiques, artifacts and art, some of it salvaged and some purchased from thrift shops, garage sales, etc. He used the buildings to display them.
Local historian
"Hats. Clocks. Neon beer signs. Dark brick and frosted glass cubes and green paint and copper. On outside balconies hang mannequin arms. In windows hang wagon wheels. Against the brick walls, welcome signs accompany succulents in pots and chairs.
Whetstone coined the name for the building, Gilmore reported.
"He says if (James)
Downtown commuters and
Whetstone died in 2018. His wife, Dorothy, sought the landmark designation through an agent,
On
Planning and Development Department staff reports state that besides being home to Whetstone's collection, the buildings are among a cluster of structures that "reflect the once vibrant commercial and institutional uses found in this part" of
Businesses that operated in the Whetstonian building through the 1970s included grocery stores, restaurants, a pharmacy, a TV shop and an investment company. By the late 1980s, the building had been condemned and was slated for demolition when Whetstone bought it.
According to the staff report, the mid-century modern-style
"Originating from the
If approved, the ordinances would require that any alternations, additions, new construction, relocation and demolition that would be visible from the public right-of-way would be subject to approval by the
Gilmore called the Whetstonian "a masterpiece of outsider art." He described an outsider artist as one with "no formal art education or training who produce works for the sake of expressing their creativity rather than necessarily for money or fame."
"Elephants and ceiling fans hang from its balconies. Lions and welcome signs grow from its sidewalks. Ghosts from every year of these buildings' history clutter its walls. I'm sorry to be only a poor pilgrim who has walked across and through the Whetstonian. Though the artist does not seek it, the Whetstonian has the right of every preservation the world can offer him," he wrote.
The ordinances went before Council for a public hearing on



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