Sweetwater Center for the Arts displays children's expressions of grief
It's that sort of Saturday evening at
So many drawings and paintings are as vivid as the pinks and oranges in the flowered sundresses the little girls wear. Glitter rules on the canvas, as do names drawn in big, plump letters and photos of smiling faces laced with stickers and beads.
Suns shine. Rainbows reach across the skies. Butterflies light on hearts and flowers and above stick figures of people the artists love and miss.
The brightness belies the darkness that has broken each child's heart.
This night, the younger kids smile, run up the stairs to the gallery, then down to the community room where older guests gather, and back up the stairs again to pose for photos with their artwork or to talk. Then it's back down for more cookies.
As for the grownups, they peruse the bountiful table of appetizers and chat. Mostly, they look long at the drawings, paintings and sculptures, listen and watch the children's faces as they explain what their artwork is and how they feel about the death of someone they dearly love.
"A Journey through Grief: Artwork by the Children of the
It is the first time in the
"A Journey Through Grief" continues through
He was. She was. They were.
When someone you love dies, you want to tell people who they were so they'll know why you miss them, as these area children and their parents did.
Josh Ilk rocked. He was
Chiropractor
The worst happened
Josh Ilk, 21, died in an accidental fall on
A child's grief
Twenty-one years ago, his brother Josh's death punched 6-year-old
The short, simple definition: Grief's complicated and unsettling. It's an imposed journey that exempts no one of any age.
Daniel's 6-year-old mind understood what dead meant, that Josh was gone, forever. But he didn't know what to do or whom to talk to about how lost and alone he felt.
"I didn't want to burden my mother because she was in such sadness," he said.
When he returned to school that fall, he said an exceptional guidance counselor helped him. They talked. At ages 7 and 8, Daniel said he began to withdraw. He was angry because his family was so sad. He withdrew more.
"I didn't know what it was," he remembered. "I knew that every day was sad and that he (Josh) wasn't going to be in my life."
The sad days became years.
In 1996, a grieving
LaVallee wasn't alone in his quest. He told close friend
He believed that there had to be a way to fill grieving children's needs. He reached out to church leaders of various denominations, who then approached grieving families.
"That was when I first started to feel a little better because I was around other kids who had lost a loved one," Daniel said.
That group was the cornerstone of a center for grieving children, a program created and supported in 1996 by the
In 1997, the doors of the
When the region lost 140,000 manufacturing jobs in the steel industry's collapse, Highmark's
"It would be have been easy to say, 'They're just grieving kids.'"
"If you look at tragedy, there can be good that comes out of it," LaVallee said at the reception, "Who would have ever dreamt of four Caring Places, tens of thousands of kids, a family-centered base model?"
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"I am here for you. You are here for me. We are here for each other." Words spoken at the opening and closing of each meeting at the
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"Mom, we're not the only ones this happens to. This happens to other people, not just us."
She succinctly captured what the
A month later, Angelina, her sister, Elise, then 8, and their mother began attending a fall session at the
Immediately, the Propsts found out what other children and families learn: That by circumstance, by the grace of God, by beliefs held dear or by fate, the "other people" in the session become "us." For 90 shared minutes, "all of us" can listen or allow our hearts to talk.
Propst is still amazed by Angelina's insight and pleased that the girls, who had watched their sister's medical struggles, were able to talk about Corrina and her death.
"I was kind of happy (for her) because she was feeling better," Angelina said at the Sweetwater exhibit.
"She was free of all her aches and pains," her mother explained.
The sisters lavished memory boxes that they made with the trinkets Corrina had enjoyed gluing on their cell phones. Each has several pieces in the exhibit, including a drawing of a quiet Mr. Crab, the nemesis hermit crab that Corrina gladly bestowed upon them. She would have liked that.
A year ago,
When his mom asked, Blane told her he missed his dad. Private counseling didn't help. Someone suggested the
Blane couldn't talk about his dad. At the orientation, he struggled to say he was there "because my dad died." But he did manage to say the words out loud.
Now, he talks about his dad and has photos of his dad, a photo of Jesus, and his dad's earring tucked in a memory box he made at the
"He's actually proud when he looks at the quilt and the other things he made," Narry said.
The memory quilt is on display at the exhibit. A photo of a smiling
On the drive home after the final fall meeting, Blane began crying in the car. He told his mom that he was sad because he wouldn't see a friend he met there anymore. They were the same age. His buddy has lost his dad, too.
At 54,
"You can't replace perfect," the
Three years ago, a massive heart attack killed her husband,
The college friends wed in 2003. Both were 42. Neither had been married before.
"I was so blessed, even if it was only for a short time," Cyanovich said. "I do feel like the girls got robbed."
They immediately asked, "Mommy, are we going to be OK?"
As well as can be, Cyanovich said. "I think that they were young enough that it (his death) was still a shock, but their brains weren't wired," Cyanovich said. "They'd have a moment of sadness or tears and minutes later ask, "What's for dinner, Mom?'"
"I called it short waves (of grief)," she said. "I'd get big waves."
Cyanovich owns an insurance business in
After the first meeting, Marlo told her mom that every child in her age group, except one, had lost their dad, that they weren't the only ones this happened to.
"That's what sold me completely. They finally had a place where they weren't different. It gave them hope that they could go forward and survive," Cyanovich said. By appearances, it seems they have. Though they balked at wearing dresses to the exhibit's reception, Mia and Marlo gleefully made their way about the gallery and weren't shy about explaining what they had made in honor of their father.
Mia drew stacks of columns, some tall, some short, in lots of colors, dark and light with hearts and dollar signs in her "Confusion: I Don't Know How to Feel." They're not the same, Mia said, because she has lots of different feelings on different days. A small box is packed with postcards Mia wants people to take. "How do you feel today?" is the printed question. Twenty-eight emoticons express 28 facial expressions from happy and frustrated to cranky and silly and sad
Across the gallery, Marlo explained that her "Invisible String" painting was her way of staying connected with her dad. You know, the string can jump to Daddy in heaven, she said. She included the sun and moon. "I always make the sun bigger because when Daddy's around, it always makes the light in the dark," Marlo added.
Beneath the artwork is a small box filled with short strings of yarn in lots of colors.
Just so you know, Marlo said, the strings are for anyone to have so they are always connected to their loved one.
The journey continues
LaVallee, now chief executive officer at Variety, the
In
"I tell them to just take it each day. To live in this moment," he said. ""You don't have to say anything. Just feel the moment of being with others."
He doesn't tell the kids that it will get better. He doesn't make promises. He doesn't say "I know what you're going through." Everyone's grief journey is different.
"I can say that I am here for you," Daniel said. "For whatever you need."
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